Death Of England: Closing Time

At Last; a play that captures the state of the nation! The Telegraph ★★★★★

Superb sparring partners deliver message of love in bold two hander. Evening Standard ★★★★

Brilliantly taps into the political tensions of our age. The Times ★★★★

An electrifying and fulfilling final chapter.. fizzes and crackles with arguments, life, energy and the deep character-based reality that Dyer and Williams have so carefully constructed. Reviews Hub ★★★★★

Dyer’s state of the nation triptych, not only retains its spine-frosting freshness, but feels more dangerous than ever. Broadway World ★★★★

A thoughtful, resonant piece that brings this powerful trilogy to a close with grace and depth, proving once again the enduring relevance of its themes. Theatre Weekly ★★★★

Dyer and Williams’ have managed to astutely comment on the complexities of modern British life and identity. West End Best Friend ★★★★

Death of England: Closing Time feels as relevant and important as ever. The Upcoming ★★★★

Closing Time has truly captured 2024 in a perfect bubble, fragile yet superbly encapsulating everything we hope and fear for in our day to day lives and the future of “Great” Britain. Theatre & Tonic ★★★★

Death Of England: Delroy

The intensity is unremitting… Dyer’s production is dynamic! The Observer ★★★★

Brilliantly captures the sense of a country wrestling with an existential crisis. WhatsOnStage ★★★★

Raw, ungoverned, up-to-the-minute: this is exactly the kind of show the West End needs and increasingly welcomes. The Standard ★★★★

A must-see performance that makes magic! The Guardian ★★★★

A performance that demands to be seen and discussed. Theatre Weekly ★★★★★

Filled to the brim with hefty but important themes. Theatre News - ★★★★

Brilliant writing; demotic and urgent! Arts Desk ★★★★★

Exhilarating performances that shine a light on a section of society that is often forgotten and overlooked. London Theatre ★★★★

Powerful and perceptive… A refreshingly honest depiction of the Black experience in current-day Britain. The Upcoming ★★★★★

A one-man cavalry charge of a production. Broadway World ★★★★★

This show beats in the heart of the West End like the vital organ that it is.  Spy In The Stalls ★★★★★

Death Of England - Michael

Full of rage, love, pride and deep bewilderment. Time Out ★ ★ ★ ★

A deeply confronting yet comic examination of English identity, racism, class and masculinity. The Telegraph ★ ★ ★ ★

Williams and Dyer have painted such a detailed picture of a country and its myriad complications. WhatOnStage ★ ★ ★ ★

Dyer’s production is dynamic! The Guardian ★★★★

Full of swagger, banter and furious feeling! Evening Standard ★ ★ ★ ★

A raw exploration of identity, grief, and societal expectations. Theatre Weekly ★★★★★

A gem of a play offering an uncompromising exploration of the complexities and nuances of life. Afridiziak ★ ★ ★ ★

Intoxicating theatre at its best that calls for repeat viewing. The Spy In The Stalls ★★★★★

This is theatre at its most thoughtful, provocative and powerful! The Upcoming ★★★★★

Thrillingly unpredictable and suddenly hugely topical. ArtsDesk ★★★★★

Death of England - Closing Time

Death of England: Closing Time Named One of 2023’s Favourite Shows

Death of England Series’ Listed As Some Of The Best Work Seen At The National In A Decade

One of the best-executed, directed, and written performances I've had the pleasure of witnessing on stage ★ ★ ★ ★ ★ Afridiziak

‘Riotous comedy with a serious sting’ The Guardian ★ ★ ★ ★

‘Uniquely brilliant piece of theatre’ Evening Standard ★ ★ ★ ★

‘Precise, fierce and moving. Dyer directs with Verve.’ The Observer ★★★★

‘The writing is tough and flexible… Dyer also directs and makes the story theatrical.' WhatsOnStage ★★★★

‘Stinging and vital final Instalment’ The Stage ★ ★ ★ ★

‘A dramaturgically exciting play.. Thrillingly and abundantly alive… Provocative and thought-provoking’ Arts Desk ★ ★ ★ ★

‘An electrifying and fulfilling final chapter.. The most significant play cycle of the twenty-first century.’ The Reviews Hub ★ ★ ★ ★ ★

‘It completes this quartet of plays beautifully, superbly directed and written, on a strong note.’ British Theatre ★ ★ ★ ★

‘Political theatre at its most courageous.’ Broadway World ★ ★ ★ ★

Othello

Voted best theatre of the year 2022, WhatsOnStage, Independent, Time Out & City A.M.

‘Extraordinary… revelatory and relevant’ WhatsOnStage ★★★★★

‘Clint Dyer makes this tragedy feel utterly new’ Guardian ★★★★

‘Giles Terera shines in this powerful, brutal staging’ Evening Standard ★★★★

‘A visceral piece of theatre’ The Times ★★★★

‘Transfixing, full of vision’ The Independent ★★★★

‘The National’s latest triumph’ Daily Mail ★★★★

Death of England: Face to Face

Get Up, Stand Up!

Death of England- DELROY

Death of England

Swept Under Rug

Off The Page - Death of England

The Happy Tragedy of Being Woke

Lyceum Edinburgh

Written by Clint Dyer

Directed by Clint Dyer and Simon McBurney

Produced by

Complicité

Performed at the

Edinburgh International Festival 2019

Kingston-14

The Westbridge

The Big Life