Death Of England: Closing Time

At Last; a play that captures the state of the nation! The Telegraph ★★★★★

Superb sparring partners deliver message of love in bold two hander. Evening Standard ★★★★

Brilliantly taps into the political tensions of our age. The Times ★★★★

An electrifying and fulfilling final chapter.. fizzes and crackles with arguments, life, energy and the deep character-based reality that Dyer and Williams have so carefully constructed. Reviews Hub ★★★★★

Dyer’s state of the nation triptych, not only retains its spine-frosting freshness, but feels more dangerous than ever. Broadway World ★★★★

A thoughtful, resonant piece that brings this powerful trilogy to a close with grace and depth, proving once again the enduring relevance of its themes. Theatre Weekly ★★★★

Dyer and Williams’ have managed to astutely comment on the complexities of modern British life and identity. West End Best Friend ★★★★

Death of England: Closing Time feels as relevant and important as ever. The Upcoming ★★★★

Closing Time has truly captured 2024 in a perfect bubble, fragile yet superbly encapsulating everything we hope and fear for in our day to day lives and the future of “Great” Britain. Theatre & Tonic ★★★★

Death Of England: Delroy

‘Raw, ungoverned, up-to-the-minute: this is exactly the kind of show the West End needs and increasingly welcomes.’ Evening Standard ★★★★

‘Dyer’s production is dynamic! The intensity is unremitting. ’ The Observer ★★★★

Full of rage, love, pride and deep bewilderment,’ Timeout ★★★★

"A deeply confronting yet comic examination of English identity, racism, class and masculinity’ The Telegraph ★★★★

‘A must-see performance that makes magic!’ The Guardian ★★★★

‘Brilliantly captures the sense of a country wrestling with an existential crisis.’ WhatsOnStage ★★★★

‘A performance that demands to be seen and discussed.’ Theatre Weekly ★★★★★

‘Filled to the brim with hefty but important themes.’ Theatre News - ★★★★

‘Brilliant writing; demotic and urgent!’ Arts Desk ★★★★★

Writers Clint Dyer and Roy Williams have skillfully crafted a script that is not only brutally honest but also layered with humour”. Afridiziak ★★★★

‘Exhilarating performances that shine a light on a section of society that is often forgotten and overlooked.’ London Theatre ★★★★

‘Powerful and perceptive… A refreshingly honest depiction of the Black experience in current-day Britain.’ The Upcoming ★★★★★

‘A one-man cavalry charge of a production’ Broadway World ★★★★★

‘This show beats in the heart of the West End like the vital organ that it is.’  Spy In The Stalls ★★★★★

‘The writing crackles with contemporary life, while Dyer’s staging artfully uses every inch of the playing area." The Times ★★★

Death Of England: Michael

Full of rage, love, pride and deep bewilderment. Time Out ★ ★ ★ ★

A deeply confronting yet comic examination of English identity, racism, class and masculinity. The Telegraph ★ ★ ★ ★

Williams and Dyer have painted such a detailed picture of a country and its myriad complications. WhatOnStage ★ ★ ★ ★

Dyer’s production is dynamic! The Guardian ★★★★

Full of swagger, banter and furious feeling! Evening Standard ★ ★ ★ ★

A raw exploration of identity, grief, and societal expectations. Theatre Weekly ★★★★★

A gem of a play offering an uncompromising exploration of the complexities and nuances of life. Afridiziak ★ ★ ★ ★

Intoxicating theatre at its best that calls for repeat viewing. The Spy In The Stalls ★★★★★

This is theatre at its most thoughtful, provocative and powerful! The Upcoming ★★★★★

Thrillingly unpredictable and suddenly hugely topical. ArtsDesk ★★★★★

Death of England - Closing Time

Death of England: Delroy

Death of England

Swept Under Rug

Redacted

The Happy Tragedy of Being Woke

Triggered

3.3%

Europeans

Soon Gone - A Windrush Chronicle - BBC Four